Since last mid September I have been dealing with prostate issues; surgery will be happening in a couple of months. I also had a hernia occur at the same time and the surgery for that will happen after the other surgery, unless God heals those two areas like He healed my back almost two years ago. Needless to say I am moving around at a somewhat slower pace.
All of this makes me sound like a total wreck! I'm not, life happens!
I was so late this year with taking down Thanksgiving that I almost didn't put up any of my Hallowe'en decorations. I did put up decorations but it happened in three seperate stages, each time saying, "Well, that is all I am going to do".
This year's Hallowe'en display is slimmer and very different. I began taking down the Thanksgiving items five days before Hallowe'en. As I was doing this I decided I would do a token display.
I left the wooden stool and all of the leaves and flowers in place. Canadian Thanksgiving is two weeks before Hallowe'en so October 31 for me has included coloured leaves, flowers, berries as well as pumpkins and squash of all sorts.
Fireworks were definitely a part of Hallowe'en growing up in Victoria. More and more people are setting them off in their yards again. I love it!
I went into the garage and brought out the prop fireworks that I made many years ago for a Hallowe'en window display.
These were arranged on the hearth section and on the mantle. The raku pots were added and that was all that I was going to do. I was exhausted.
The raku pots are always on the hearth, the colours are muted and autumnal, that is the only reason that they were included in the display.
This metal tambourine was a gift from a friend for repair work done on some of her vintage Christmas items; I am glad that she had doubles of it. Thank-you Karen, I love it. It was added later along with the other Hallowe'en collectables.
A day or two later I was in the garage and remembered the ebony vanity set that I had bought at Salvation Army for about $8.00 and a turned ebony/teak candlestick that I had bought for about $4.00; out they came and were arranged on the marble side table, $15.00 from Sally Ann. I love shopping at Salvation Army!
My bottle of Carter's mucilage, an old oil can, a vintage marble, a piece of a broken saucer found in the garden, and feathers were added. Two purple and one orange candle finished off the vignette.
I was done.
When the few Hallowe'en items were introduced to the merry mix I added this wonderful Japanese ceramic pumpkin candy dish.
right click for a larger view
Two days before Hallowe'en I decided that I would put out the few items that were in an antique cupboard in the garage; everything else is packed in boxes and stored away.
The hand-carved farmer and the squirrel nodder were part of the Thanksgiving display, two of my favourite pieces. Those two pieces and the fireworks were all that going to be in this years "sort of" Hallowe'en display; and then the few Hallowe'en items were brought out.
right click for a larger view
These were the fortunate items to be displayed this year.
Here is a close-up of some of my owls. The egg cup is Japanese. I picked it up at Salvation Army about two months ago, I have never seen this design before. The owl beside the eggcup is a tape measure. His head, wings, feet, and branch that he is standing on are brass and his body I think is bakelite.
The little pumpkin head in behind is a stickpin.
The chenille witch is sitting in front a burgundy fez so she is a little difficult to see clearly.
right click for a larger view
The rest of this year's display; party hats, Gurley candles, a fairly new plastic pumpkin whistle, a celluloid witch lantern, a wind-up black cat, and three pumpkin cups each with different glaze combinations. The pale peach pumpkin cup I picked up in a thrift shop in Sydney, a town about thirty minutes drive from us.
Oh, I forgot to mention, the pins that you see marching along the front of the mantle were supposed to hold lights in place with some sort of garland or leaves to disguise the wires. That never happened, I was just to tired and busy to do it or even care about doing it!
Hello and Happy Hallowe'en to you! Thank-you for stopping by to have a look at my October offering for the Emporium. My apologies for the VERY sparse posting, there are very few descriptions. Health issues that are not serious but have slowed me down somewhat have made things travel at a slower pace. Enough of the ramblings, have a look, I will add more details tomorrow.
“Landscape Rattle - Simon and Hugh at the Masquerade Parade”
Mixed media sculpture
Right side view
left front view
This view shows a bit of my hand so that you can get an idea of the scale of the sculpture.
The underside view showing the handmade branches hiding the three bells.
$450.00 shipping not included.
The overall size of the sculpture is 19 1/2" high, 6 1/2" wide, 5 1/2" deep.
This is a sculpture not a children's toy.
I will carefully pack this sculpture to ensure that it arrives safely to your home to become a treasured part of your collection.
This sculpture arrives duty free into the US.
Please contact me at firstname.lastname@example.org if you wish to purchase this sculpture. I accept Paypal as well as credit cards through Paypal. Head over to "The EHAG Emporium" and have a look at what others in the group have available for sale.
I thought that I would give you a glimpse into the way that I create my sculptures, in particular my "Landscape Rattle, By the Light of the Silvery Moon" that is in this months EHAG Emporium.
I don't design any of my sculptures. I run headlong into the making portion, sometimes with an idea and sometimes I just starting making a prop or base for the sculpture, point A, progressing on to point B. Sometimes,quite often actually, point B just doesn't work and so another alternative has to be created; the journey for me, seeing where I end up, is what it so much fun... and surprising.
My post about the making of the trees was point A for my last sculpture "By the Light of the Silvery Moon". Designing this way is scary sometimes but it keeps me on my toes, I have to be conscious of every element that is being created or replaced.
I had the trees but that was it. I was depressed because there was not a single idea... blah, blah, blah...
I felt empty because there was no direction... blah, blah, blah...
I never design my sculptures... blah, blah, blah...
they occur organically... blah, blah, blah...
if I did drawings like everyone else I would have an idea... blah, blah, blah...
(Sometimes the above happens, thankfully not that often.)
I headed to my paper drawer; this paper was the inspiration. The colour combination didn't feel correct...
but this one the fit the bill.
A song or phase kept coming to my mind, "Dancing by the Light of the Silvery Moon". I had my idea, the Man-in-the-Moon dancing under the trees.
I looked up Jazz dance in Google images and found some great pictures ofFred Astaire...
and Gene Kelly. There it was my idea, pure gold, just waiting to be made.
I never intended to use two trees as they take a while to make and that translates into cost but he had to be dancing under two trees. He was strolling and dancing, having fun along the forest path.
I made the barrel rattle section of the sculpture added the trees and the realized that in order for the trees to appear tall I would have to make the Man-in-the-Moon about two inches to three inches tall. So much for my idea of pure gold, it s now a lump of lead. Are you starting to see how the process goes, point A sometimes does not necessarily connect to point B.
The Man-in-the-Moon is up at the top of the trees having a conversation with two of his friends and will on the ground shortly joining in on the fun.
Placing the Man-in-the-Moon in the top of the trees was challenging, I had to defy gravity. He had to have the appearance that he was floating above and in the tree limbs and not the tree limbs supporting him. I am pleased with how it turned out.
Merton, at the base of the tree on the left surrounded by the fireworks, helps to ground the composition. His eyes and the jumping jack firecracker on the ground in front of him direct your attention over to the dried yellow grasses at the base of the right hand tree which then direct your attention back up to the group at the top.